a neck snapping, feet stomping vintage angel alanis chicago hard house record. flip it for some new style minimal beasts, bass and a blast of dirtiness. strong keys that will echo through out a big room and party rocking tracks that will crave the hunger of hard house, electro house and techno djs looking for that in between sounding record thats a sure shot climax

big with: the black dog, rob da bank, keith downey, tomaz, mary anne hobbs, shelley parke and mark eg!! dncns debut ep for dust science shows just how far hes come in the last five years. its a resoundingly strong package with every track a potential a-side. main cut >dust to dust< is a throbbing dubby techno stomper, opening with sulphuric bong noises that give way to oodles of fat wobble. the track is slowly subsumed in layers of fizzing shards of echo. anyone taken with villalobos recent experiments really must check this out

ltd one side releases from the studios of scott grooves. scott fuses multi-layered rhythms that are definitely modern between house and techno but echo ancient drum sounds with broding atmospherics, dramatic synth sounds and powerful bubbling analogue basslines. three ace versions that explore the territory between house and techno and will sit nicely in your set between ame, osunlades more abstract beat-orientated stuff or the lastest offerings from ibadan

polaris/serenity shows jin chois more playful, deeper side with beautiful subtle melodies and surprising harmonic changes, latin esque percussions and echo cascades that pull you down to the ground. this is music for the sofas, the dancefloor and the beach. smiling faces guaranteed

tango saty is a crazy dancer from klaus schulze. sounds huge on 12 inch and causes a storm of freaky dancing on the more discerning dancefloors with a wonky yet eminently groovy rhythmic structure and synth brass riffs that echo around in your head for days. when the bass drops its smiles all round. b shock r.e.r.b. is a classic piece of doomy yet uplifting cosmic elettro from london town that was a baldelli and loda play. getting increasingly hard to find on the original 12 inch and even if you do, this one is mastered with more weight and clarity

fresh from the studio of scott grooves comes this smokin triple tracker to start his own new label. just like his legendary and still in demand >the journey< scott fuses multi-layered rhythms that are definitely modern between house and techno but echo ancient drum sounds with broding atmospherics, dramatic synth sounds and powerful bubbling analogue basslines. three ace versions that explore the territory between house and techno and will sit nicely in your set between ame, osunlades more abstract beat-orientated stuff or the lastest offerings from ibadan

professioneller cd & mp3 player in einem handlichem format. features: xxl-jog wheel, rückwärtslauf, 20 sek. anti shock memory, fader start play, master tempo, pitch lock, großes display, filter, skid, echo, phase und vieles mehr

great electronica ambient tracks !!

underground darling mathew jonson with another extra-large three track stunner: right from the start swirling synth over a pinching beat suck you into a vortex before a rubbery bassline takes the lead and an electrical storm of dark, haunting sounds wrap you in. well, words dont do this truly symphonic oeuvre no justice - this has to be experienced in the dark and in earsplitting volume. on the flip mj gives free reign to his unlimited creativity with an impressive soundtrack-style tableau of electronic jazz, sounding like late bass-revolutionary jaco pastorius descending form the outerworld to interveave some of his crazy warbled, bend notes into a messianic david axelrod arrangement, mixed at lee scratch perrys echo chamber. miles above your typical pain-by-numbers club fare - simply huge!

(prod by trouble men ?) remake of soul s classic with a terrific soulful house feel to it its been brilliantly reconstructed and the producer wishes to name anoymous but we suspect it maybe someone like trouble men... as the production here is that classy

melody maker is a electro-broken-disco-funk? many influences there.. surely here mashing up to be funky as hell. on the flip, 2 more songs from sexy dub house to funky drummer but drawned by reverb and echo's and then twisted with some filters....some say in flagranti's music could be called dwa (disco with attitude )

san fran's house legend joshua returns with a strong dub and roots reggae influenced west coast banger. played by doc martin and ralph lawson

strong forward progressive tribal floater

after the great 1st ep, here finally his second. rolling well produced electro made to rock

ultraphat 4 track technoi classixx ep...last copies

7 track remixes ep with remixes by freischwimmer, it & my computer (creme), charly kent, solitude fx...

der mit-begründer von deepchord rec. aus detroit läßt hier seinen gefühlen für tiefe techno-dub-cuts freien lauf und schafft tolle echo landschaften

der in london geborene und in atlanta lebende songwriter puma blue veröffentlicht am 1. september via blue flowers sein zweites album holy waters . holy waters wurde gemeinsam mit seiner live-band in den echo zoo studios in eastbourne aufgenommen und markiert dabei eine deutliche abkehr von den solo-schlafzimmerproduktionen der früheren veröffentlichungen.

chill pill vol. 5

best of shoegaze 1990-2022

... eine art greatest hit album (cd)

new output by green lake project

drittes album

limited

after nearly 8 years, nicol�s jaar and dave harrington are back together as darkside with their new album ÒspiralÓ.

20 jahre total - total schoen !!!

limited to 100 copies

the new album from hot chip!

vor 20 jahren erschien mit decksandrumsandrockandroll das deb�t und gleichzeitig einzige studioalbum des britischen duos propellerheads. alex gifford & will white gr�ndeten die band 1995 und ver�ffentlichten 1996 auf wall of sound zun�chst ihre dive ep, gefolgt von weiteren eps und singles. am 22.06.2018 erscheint die 20th anniversary edition von -decksandrumsandrockandroll- auf wall of sound als doppel-cd, auf der die albumklassiker wie die bigbeat-coverversion von crash (mit einem wunderbaren elvis-double), das rastlose spybreak! (bekannt aus der lobby-szene des ersten matrix-films), den remix f�r john barrys on her majestys secret service, und last but not least history repeating mit der unverwechselbaren shirley bassey selbstverst�ndlich vertreten sind.

nach bescheidenen, ersten acid-house-sets in der legend�ren hacienda bis zu dj-residenzen in weltber�hmten superclubs, nach einer umfangreichen diskografie mit studioalben, mixsamplern und remixes (darunter f�r madonna und the chemical brothers), nach grammy-nominierung, eigenem studio in new york und eigenem label (last night on earth), kr�nt der britische dj/produzent sasha seine karriere nun (vorl�ufig) mit einer fabric-ausgabe. mit klassikern von carl craig, mathew johnson und exercise one und j�ngeren juwelen von dj koze, dj hell und objekt beweist sasha einmal mehr seine f�higkeiten, broken beats und ambient-trips komfortabel neben dub-techno und euphorischem house zu platzieren.

tim green returns to cocoon with his atmospheric and emotive album titled her future ghost. surprisingly, after all this time, this is his first ever album in his career. an 11-track production following the producers recent vinyl eptitled echo / they want us to fall down.

singularity beginnt und endet im kern seiner dinge auf der gleichen note: der emotionalen ehrlichkeit. hopkins, beeinflusst von jahrelangen erfahrungen mit meditation und transzendenz, bewegt sich durch ein selbstgeschaffenes universum, das sich unaufhaltsam ausdehnt und zum schluss wieder zu einem unendlich kleinen punkt zusammen zieht. nahtlos geht es dabei von rauem techno hin zu choralen melodien, und von solo-piano etappen �ber zu psychedelischem ambient. wo immunity sich in die dunkle realit�t einer epischen club nacht st�rzte, erkundet singularity nun die dissonanzen zwischen dem urbanen leben und der gr�nen natur. was beide alben verbindet, sind ihre unmessbar breiten musikalischen sound-paletten. so steht auf singularity die erkundung der verbindungen zwischen geist, klang und umwelt im vordergrund und vertont so die verschiedenen geistigen zust�nde, in denen hopkins sich w�hrend des schreib- und aufnahmeprozesses befand. und so viel sei schon verraten. durch die ern�chternden erfahrungen, die hopkins mit dem blick auf die heutige welt machte, blieb ihm die letztg�ltige schlussfolgerung, dass ein wahres gef�hl von frieden und zugeh�rigkeit nur aus der einzigartigkeit der natur gewonnen werden kann.

digipack cd, all that must be wartet mit hochkar�tigen kollaborationen mit lil silva, bonobo und tracey thorne auf. es beleuchtet achtzehn lebensver�ndernde monate, in denen fitzgerald den vielbeschworenen hedonismus der deutschen hauptstadt hinter sich gelassen hat, um ein leben als frisch gebackener familienvater und produzent in london aufzunehmen. mit hilfe eines faszinierenden musikalischen erz�hlbogens vereint er die unterschiedlichsten emotionalen zust�nde und injiziert seiner musik eine tragische pop-note. drama trifft frohsinn. nachdenklichkeit tanzt mit ausgelassenheit. ein ausbalancierter longplayer, der im clubnebel genauso funktioniert, wie bei einer n�chtlichen autofahrt durch verlassene bezirke einer x-beliebigen gro§stadt dieser welt.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

auf seinem neuen doppelalbum primary colors offenbart us-electronic produzent ryan farish seine f�higkeiten, eine perfekte balance zwischen chilligen downtempo- und trance-momenten und uptempo-grooves zu finden, was ihm in seiner heimat bereits vier top 10-alben in den billboard-charts und eine grammy-nominierung einbrachte. electronic listening in perfektion, vergleichbar mit schiller hierzulande.

the fourth installment of the escapism is here. featuring sixteen tracks by artists like flite, monrroe, nymfo, and many more.

it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep �newwave project ¾2� a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music. styles, about kuniyuki claims that they are his �favourite music�. now, nearly two years after his first newwave project ep, he drops an album that is leaning towards his musical love from the past. com-pared to his former work, that was rooted in worlds of classic, jazz, house, ambient, and electronic song-writing, his new tunes are full of melodic drifts and rhythmical shifts. as usual all is loaded with tones and rhythms straight from the heart that filter and modulate human emotions without losing their natural source. to get a sound that is fresh but still leaning to the 1980ees, he used some old synthesisers like a roland jupiter 8, a juno 60, a korg ms 20, an old tape echo machine but also new instruments like the roland aira. furthermore, his modular synthesizers talk too.

steffi, langj�hriges mitglied der ostgut ton-familie und resident-dj der berghain/panorama bar, gestaltet ihre fabric-cd ausschlie§lich aus 15 exklusiven tracks befreundeter und seelenverwandter produzentenkollegen. ihr einzigartiges set aus abstrakten house, electro und techno-fragmenten besitzt einen basslastigen, retro-futuritischen vibe und ist auch aufgrund seiner exklusivit�t ein weiteres schillerndes unikat in der renommierten dj-mixserie.

das bristoler duo kahn & neek, betreiber des bandulu labels, pr�sentieren einen 74-min�tigen dubstep/grime-mix aus eigenproduktionen, kollabos, remixes und heavyweight-selektionen von the bug, mungo s hi-fi, commodo und gantz, musik der young echo collectivek�nstler jabu, chester giles, rider shafique und manonmars, sowie insgesamt 14 unver�ffentlichte und exklusive tracks, u.a. von ishan sound, gemmy und lamont. den abschluss bildet kode9 & spaceapes zeitlose ghost town version als statement zur aktuellen unruhe in der londoner nachtleben und clubszene.

the dub master radikal guru returns to the trusted moonshine recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. a selected few of the cuts involve exciting collaborations that are not to be missed.

¥ includes two exclusive tracks from daniel avery
¥ full tour schedule to support release

der londoner dubstep-pionier und hotflush-labelbetreiber scuba aka paul rose beweist seine einzigartigkeit mit einem 75-min�tigen fabric-set aus 42(!) �ber- und nacheinander gelegten tracks. unterschiedliche k�nstler wie pearson sound und patrick cowley, donato dozzy und midland treffen in einer d�ster-verf�hrerischen atmosph�re aufeinander, so dass man sich zwischen pumpendem lo-fi techno und subsonischen b�ssen im rave-kosmos verliert.

liquicity records returns with second instalment of the alchemy series. the album showcases the immense talent of the labelÕs roster and its ability to develop that euphoric drum and bass sound.

cd jewel case remastered by manuel g�ttsching and released on his own label mg art. inventions for electric guitar is manuel g�ttschings first solo album, recorded: july-august 1974. the album was written and performed entirely by g�ttsching on electric guitar, hence the title. manuel played his guitar and used a 4 track teac a3340, revox a77 for echoes, wahwah pedal, volume pedal, schaller rotosound and hawaiian steel bar.

following contributions by dj deep and dj hell, tresor records are proud to present the third instalment in their kern mix-series, this time headed by berlin based producer objekt, his first release following his 2014 debut album flatland for pan. in keeping with the series mission of showcasing a more personal approach to mixing hertz describes his process as such, kern vol. 3 is made up of tracks that i know i will play and love for years to come. some of these records have been in my bag for years others are almost as new to me as they are to you. a handful are by lesser known artists whom i admire and who i think deserve wider recognition. planned, recorded, embellished, reworked, tweaked and chiselled away at over a period of 6 months, the mix was gradually carved out in a way that makes use of new and old techniques alike, presenting itself primarily as a dj mix but settling in a sweet spot between live recording and studio trickery. the tracklist spans styles, decades and bpms in an attempt to craft a mix thats unpredictable and compelling in equal measure Ð one that draws from the more adventurous corners of my club sets, but above all, one thats a pleasure to listen to.

der legend�re, britische produzent andrew weatherall bereist auf seinem neuen soloalbum -convenanza- seine musikalische sozialisation mit einfl�ssen aus post-punk, new wave, punk-funk, dub und synth-pop und vermengt sie mit warmen basslines von heute. garniert mit seinen echo-vocals im stile von the clash, ist das ergebnis ein ereignisreicher trip durch dekaden britischer wave- und clubmusik.

brooklyn duo beacon explore the dark side of sweet melody with a sound thats as seductive as it is subtly discomfiting. thomas mullarney iii and jacob gossett are unstoppable. the new york artists, collectively known as beacon, have been on a productive hot streak since 2012, and their efforts continue to pay off. when we werent writing, mullarney starts, we hit the road and didnt really look back. we toured the us five times since the ways we separate came out, building this project the old-fashioned way. and beacons natural, time-tested process has brought us escapements, their sophomore album for ghostly. we went into this feeling liberated, continues the singer/producer, and gossett seems to echo his thought: this record is in part our attempt to formulate what beacon is going to look and sound like going forward.